necspenecmetu:

William-Adolphe Bouguereau, The Canephores, 1852

necspenecmetu:

William-Adolphe Bouguereau, The Canephores, 1852

aesthete:

Herbert James Draper

aesthete:

Herbert James Draper

(via caravaggista)

frenchtwist:

via artlistpro * archiveofaffinities:


door . 11, rue larrey . parís . marcel duchamp . 1927

frenchtwist:

via artlistpro * archiveofaffinities:

door . 11, rue larrey . parís . marcel duchamp . 1927

beautifulcentury:


Beatrix Potter on Flickr.
Click image for 615 x 606 size.

beautifulcentury:

Beatrix Potter on Flickr.

Click image for 615 x 606 size.

jahoctopus:

Albert Weisgerber
"There are beings - and artifacts - against which we batter our intelligence raw, and in the end make peace with reality only by saying, “It was an apparition, a thing of beauty and horror."

The Claw of the Conciliator

(Gene Wolfe)

(Source: lifebythefifth, via maldorora)

venusmilk:

Pedro Joseph de Lemos(1882-1945)
f-featherbrain:

li-an:

Illustration s’il vous plaît: Alexander Wilke

Karl Alexander Wilke (1879 Leipzig - 1954 Wien), illustration for “Die Muskete” magazine, 1906

f-featherbrain:

li-an:

Illustration s’il vous plaît: Alexander Wilke

Karl Alexander Wilke (1879 Leipzig - 1954 Wien), illustration for “Die Muskete” magazine, 1906

(via beautifulcentury)

centuriespast:

The Spirit of Oiwa
Tōkyō, 1847 - 1848
Utagawa Kuniyoshi (1797 - 1861) (designer)
The Ashmolean Museum

centuriespast:

The Spirit of Oiwa

Tōkyō, 1847 - 1848

Utagawa Kuniyoshi (1797 - 1861) (designer)

The Ashmolean Museum

The Poet and the Siren, Gustave Moreau
Things my poverty prevented me from doing: spending the rest of my life studying, thinking, and writing about Moreau’s poets, their relation to the physical and spiritual worlds, their hermaphroditism, their identification with his saints and martyrs, their relationship to Moreau’s Apollo, and Moreau’s Sappho as the compliment and opposite of his Salome. I will forgive the vagaries of fate in exactly never.

The Poet and the Siren, Gustave Moreau

Things my poverty prevented me from doing: spending the rest of my life studying, thinking, and writing about Moreau’s poets, their relation to the physical and spiritual worlds, their hermaphroditism, their identification with his saints and martyrs, their relationship to Moreau’s Apollo, and Moreau’s Sappho as the compliment and opposite of his Salome. I will forgive the vagaries of fate in exactly never.

buskingghosts:

The Focus of Life: The Mutterings of Aãos

oldbookillustrations:

The lady sleeps! Oh, may her sleep, Which is enduring, so be deep!
From The blue poetry book, edited by Andrew Lang, illustrated by Lancelot Speed and H. J. Ford. London, New York, Bombay, and Calcutta, 1912.
(Source: archive.org)

oldbookillustrations:

The lady sleeps! Oh, may her sleep,
Which is enduring, so be deep!

From The blue poetry book, edited by Andrew Lang, illustrated by Lancelot Speed and H. J. Ford. London, New York, Bombay, and Calcutta, 1912.

(Source: archive.org)

"Behind every exquisite thing that existed, there was something tragic."

— Oscar Wilde, The Picture of Dorian Gray (via risenonlytofall)

(via fuckyeahoscarwilde)

blastedheath:

langoaurelian
Thomas Watson Ball, cover for Gilian the Dreamer by Neil Munroe (Dodd, Mead & Company, 1899).

blastedheath:

langoaurelian

Thomas Watson Ball, cover for Gilian the Dreamer by Neil Munroe (Dodd, Mead & Company, 1899).

(via beautifulcentury)

closingtimeuglylights:

Gustave Moreau - Salome Dancing Before Herod (1875)

closingtimeuglylights:

Gustave Moreau - Salome Dancing Before Herod (1875)